For Romantics and Music Lovers

I started a new job about 6 months ago that's comes with a pretty crazy workload, so I haven't been doing as much blogging sadly. However, I saw a movie this weekend that was so fantastic I knew I needed to carve out some time for a review. 

The movie is "Begin Again" and it's reminiscent of "High Fidelity." There's a romantic plot that comes across as more realistic that the average fluffy rom com, with music references for fans of many musical genres. Like "High Fidelity" it also includes commentary on the state of the music industry, artist versus label contract structures and the release of music digitally. The movie stars Keira Knightley and Mark Ruffalo. Ruffalo portrays a down-on-his-luck record exec, conveyed with just the right amount of hopeless optimism but ruffled exterior. Knightley is charmingly English as the ex-girlfriend of an up-and-coming rockstar (the perfectly cast Adam Levine- charming, self-obsessed, douchebag). Ruffalo hears Knightley playing one night and is re-inspired, thus beginning their journey of recording music live on the streets of NYC. Knightley is a surprisingly good singer and pulls off the Nora Jones/Colbie Caillat type songs.

The romantic subplot if that Ruffalo is separated from his wife (the fabulous Catherine Keener). They have a tempestuous teenager daughter, played by relatively new but very accredited Hailee Steinfled (True Grit). Throughout the movie there's also an underlying chemistry between Ruffalo and Knightley. I won't give anything away but I really enjoyed that the movie didn't sensationalize anything. While Knightley originally comes off as a little naive, she learns a lot and makes some wise choices on both the music and romance fronts. 

Cee Lo Green was by far the best cameo, as a rapper made big by Ruffalo. He added great comic relief and threw down some rhymes. He came off like a natural born actor in the movie and I hope this will lead to more movie roles. Mos Def once again showed he has acting chops but it would have been a great addition to include his musical/rap talents as well.

I recommend this to any romantic or music lover. I'm excited to check out the soundtrack as well. 

Oh The Shows...

Sad to say but I've fallen a little behind on the blogging in the last couple months. Those travel ones took so much time I got a little burned out. But never fear loyal readers (aka Mom), I'm back at it! Even though I went to see the following shows in November and December, they were great enough to rehash.

The first weekend in November I went to see Charli XCX at Slim's in SOMA. She's a saucy English singer and songwriter who's been at it since 2008 (when she was 15). She gain notoriety when she was featured on Icona Pop's big hit, "I Love It." I enjoyed her second album "True Romance," which featured songs like "You- Ha Ha Ha," "Set Me Free" and "Cloud Aura." In concert she was very energetic and fun to watch. She's still pretty young so don't expect anything too deep, just an upbeat tempo that good for dancing and running. If she keeps playing smaller venues with space to dance I'd recommend checking her. In recent news she's been added to the SXSW 2014 lineup and will be releasing her third studio album in June.

The following week I went to check out a new venue and band in the Mission. The show was at the new venue, The Chapel, on Valencia. It was originally a mortuary and is now a venue, restaurant, bar and outdoor patio. The restaurant is called The Vestry. We ate and had drinks there before. They have a fun cocktail menu and a lot of small plate and flatbread options that are going for sharing. The cuisine is a blend of French, Italian and Mediterranean. The best part? Our server was fully up on what was happening at the venue next door so we knew exactly when it was time to pay the tab and head over. Inside the venue, you could tell it had been a mortuary at some point, with the high ceilings, stained glass windows and Gothic feel. The ambiance was original and very cool, with the size just big enough for an intimate show experience. The show we saw was Glasser, who I hadn't heard of until the friend I went with recommended her. Glasser is an American singer/songwriter hailing from Boston. Her first EP debuted in 2009, followed by her full album in 2010. Her other album dropped in 2013. Her sound is very funky. On her Wiki page they compared her to Joni Mitchell but with the eerie electronic vibe I'd go more with someone like Purity Ring. It was a good show, pretty outside the box, but considering what we paid plus the venue I'm happy I went.

Near the end of November I went to the Fox Theater in Oakland for Chvrches. I was very excited by this one, as they've started selling out shows since they got big and I missed them the first time around. Chvrches (don't ask me say this band name out loud although apparently it's just "churches") is a Scottish synthpop band that formed in 2011. The band has no religious affiliation, just thought the name "sounded cool." They started releasing tracks in 2012, including my favorite "The Mother We Share." Their next single "Recover" starting blowing up in early 2013. Chvrches ended up 5th on BBC's Sound of 2013, of which Haim was named the winner. Another lesser known favorite of mine, Little Green Cars, was also on the list. Back to the show, it was amazing. The lighting was fun but not overdone. Sometimes when you hear synthpop live it just sounds like over-processed EDM but their sound was crystal clear. Her voice sounded exactly like it does on the albums, so there's no digital processing there. I would highly recommended seeing them live if you can.

In early December I went back to the Fox to see the Head & the Heart. an indie folk rock band out of Seattle. They formed in 2009 and self-released their first music in 2010, got signed and released the album on CD and vinyl in 2011. The band is comprised of five guys and though it's not on their Wiki page (which lacks detail and clearly needs to be updated), there's a girl member (who plays a killer violin). Their songs range from being piano, violin or percussion driven, which shows a wide range of skill. Their lyrics are beautiful and soulful. Live it was one of those truly impactful shows where you can tell the whole audience is having an emotional connection with the music. While already a darling on the indie scene, I think this band is still in the process of taking off even more. Expect them to start showing up on a lot of festival lineups. Definitely check them out.

Oh Oakland, You Grown On Me

As any slightly dedicated reader of my blog knows (I like to pretend there’s a few of you), the Fox Theater in Oakland is my favorite place to catch a show. I’m probably there at least once a month (although I aim for less than once a week). Two Fridays ago I was there for the second night of Alt-J, an English indie rock quartet. According to their Wikipedia page, they formed in 2007 but didn't release their debut album until 2012. The first few years was just them jamming in their college dorm. Interesting fact: The band's unusual sound stems from the fact that due to living in student halls, noise had to be kept to a minimum and so they were unable to use bass guitars or bass drums. They were then signed to a label in 2011. The band is actually one of the more interesting ones I've read about. There’s a clear adoration of triangles, with two different ways to decipher their name and on the album cover. I actually spent a while at the merch table trying to find secret triangles in one of their concert shirts. At the show we got tickets a little late in the game and ended up in the balcony, which I’m not a huge fan of but is sometimes okay for a more chill show. I’m actually glad we were up there for this show, as they had one of the most beautiful lighting/special effects shows I've ever seen. They used the fog to create geometric shapes in the fog. The majority of the show was back lit  as these are not egocentric guys, which gave it a dramatic effect. The colors and lights changed every song and were very reflective of the mood/beat of each song. They only have one album, so it was a short show but they played every song. They have a very apparent zealous fan following, as most of the audience knew every single song. They didn't even sing the chorus of “Matilda,” as the crowd more than carried it. And who could resist a song that references “Where the Wild Things Are” (found in Breezeblocks)? The only negative thing I have to say is that I really wasn't as fan of their opener, Canadian band Royal Canoe. To me they sounded like an unpolished garage band but in the restroom I overheard two girls raving about them, so to each their own.

Last Friday I was back at the Fox for Big Gigantic, a two man group from Boulder, CO. If you ever go to the Fox on the first Friday of the month, take a stroll down Telegraph and check out the art murmur, First Friday. We went to dinner at Mua Lounge beforehand, which is my new favorite Oakland food spot (review to follow). The Big Gigantic show was interesting. Definitely a fun group to dance to. Feeling that “electronica” is a label that does not fairly cover their sound, I looked them up on Wikipedia too. They are described as an “instrumental livetronica, hip-hop and jazz musical group.” The best way I can paint a picture is imagine Justice but then take the electronica down a notch and add in a killer saxophone. Seriously, the guy who played the saxophone absolutely killed it. The light show was pretty stellar and almost felt like being at a Pretty Lights show. I don’t think I could sit around listening to their music but the live show is a lot of fun so if they come through your town or are playing at a festival, go check them out. Very high energy and an entertaining crowd.

Musical May

I was worried after April, and all of its Fauxchella fun, was over. What will I do on the weekends? How will I keep disintegrating my ear drums bit by bit? What if I get too much sleep on weeknights? Never fear, May was chalk full with great acts coming through town.

The month kicked off with Bottle Rock 5/8-5/12. I'll admit, I'm getting told old for a four day music festival so I went with the 3 day pass. This was the very first year of Bottle Rock, which takes place in Napa. A music festival in wine country? Yes please! Word on the street is that they got a 10 year contract, so this festival will be around for many more years to come. There was a little shadiness, as the fest got approval from the Expo board without consulting the city. The verdict is still out on if Bottle Rock hurt or helped Napa, but overall it sounds like the 35-40,000 attendees made most business happy. The lineup was pretty solid. I'd have to say my favorites were The Flaming Lips. Wayne puts on a crazy show with plenty of lights and lasers. Edward Sharpe & the Magnetic Zeros were pretty good too. I unfortunately missed Allen Stone, a soul and R&B musician from Washington, who's on the cusp of blowing up. I'll probably go next year, although I hope it's less hot next time. The lineup will hopefully be just as solid and the food/wine selection was one of the best I've seen in a while. Hopefully they'll finesse all the first year issues (namely the disastrous parking situation and the dust). Tip: Book your place to stay up there as soon as dates are announced, all hotels/airbnbs will fill up fast!

Next up I caught Dragonette and The Presets at the Fox Theater in Oakland. When you look out into the crowd and it's just women, gay men, glow sticks and sparkles, you know it's going to be damn good party. I've seen Dragonette live before and love them. Martina Sorbara, the lead singer, knows how to get the dance party started. She's energetic and gives her all no matter the size or enthusiasm of the crowd. I liked them better than The Presets, although they were good too. It's just with The Presets (a two man Australian electro duo with vocals, drums and keyboards), they're stuck behind their instruments which can limit the stage energy unless you're someone like Justice.

After that, we hit Tame Impala, which was also at the Fox but had a completely different feel. Walking into the Tame Impala show was like walking into the 70s, completely with psychedelic lights and weed. When bands play slow jams these days, everyone usually holds up their cell phone lights. At this how everyone actually held up legit lighters! I forgot how beautiful that looks. Tame Impala is a rock band that reminds me almost of the Australian version of someone like Dinosaur Jr, which more funk thrown in. Elephant is probably their most well know song but my favorite is Feels Like We Only Go Backwards.

Last weekend I went to Mumford & Sons at the Greek Theater, a gorgeous outdoor amphitheater in the hills of the UC Berkeley campus (seriously, we parked at a frat house). I love Mumford and these days it's hard to find people who don't, they've gotten so big. They played three nights straight at the Greek, which sold out in minutes. For those of you living in a cave, this four man English folk band formed in 2007 hit the scene big in 2009 with their release of "Sign No More," which won them the Grammy for "Best New Artist." In 2012, they release their second album "Babel," which in my opinion is just as good as their earlier stuff. Seeing them live is great because they really put their all into it and interact with the crowd. They were able to get the entire Greek Theater (8,500 seats + the lawn) to be completely silent while they played a couple acoustic songs, which was amazing to behold. While you never really know if artists are telling the truth, they said this was the most silent they've ever gotten a large crowd to be and a memory they would treasure. Regardless, it was a pretty great show.

Last Saturday (and technically in June), we went back to the Greek (should have just slept there, is this an option??) for the xx. Again, another English band, who started as an indie duo and added on 2 more once they started touring. Their sound is hard to explain. It's a little electro, a little instrumental, with almost eerie whispering vocals. They hit it big with Crystalised in 2009. They release "Coexist" in 2012. The lead duo is a introverted, so it's a totally different experience and while I love them, I could take them or leave them live. They did have a pretty decent light show with some cool lasers (you can't go wrong with lasers). When at the Greek though I hate being up in the seats because you can't stand up and dance.

Music In March Part I

When I was living in Minneapolis I always hated the fact that there were no good shows November through March. I just assumed that no music, sane or coke-addled, wanted to be in Minnesota in the winter. Which is a pretty sensible theory. But now after living in California for two "winters," it seems like bands just don't want to tour at all in those months. I only went to ONE show last month, which is just sad for me. It was local-grown band Two Gallants playing at the Fillmore, so at least it was good enough to tide things over for a while.

Come 3/1 I was ready to rock and luckily Starfucker was in town. For those of you who've never heard of Starfucker, you may have seen the acronym STRFKR around (not to be confused with SBTRKT the London born DJ). STRFKR is an electronica band from Portland. The song they are most for is Rawnald Gregory Erickson the Second. And no, I have no idea why it's called that. They were playing at The Regency Ballroom, which is one of the best larger venues in SF. I went in expecting a good show but nothing mind blowing and it by far exceeded my expectations. It's probably one of the best shows I've been to in a long time. They were really able to get the crowd energy up and get people dancing. They were dropping brightly covered balloons and confetti from the ceiling. In a very Girl Talk move, they pulled a bunch of dressed up, crazy hipsters on stage to do have a dance party/rave behind the band. In the encore they included the best cover ever of Girl Just Wanna Have Fun. If you're looking for a carefree dance party, definitely check them out.

Last Thursday I went to Passion Pit at the Bill Graham Civic Center Auditorium. I hate the Bill Graham. It's giant, in the ghetto, lacks so much personality it feels like you're in an airport hanger and for some reason attracts the kind of show that 14 year old girls show up to in furry boots, fishnets, and underwear. Yeah, nothing makes you feel older than being in that type of the situation.The first opener was Icona Pop, who just hit it big with I Love It. In preparation for the show, I checked out their whole EP and it's filled with awesome electro-pop songs.And I found out their first big thing was being sampled on Chiddy Bang's Mind Your Manners and I've been obsessed with Chiddy Bang for a couple years. Sadly, we did not make it early enough to catch them. However, I'm sure they'll be touring on their own soon enough and I will definitely catch that. The second opener was Matt + Kim, who I've seen several times and I'm kind of over them. I'm actually surprised they're still playing to such big venues since I haven't liked a song of theirs since 2008. Finally it was time for Passion Pit and they were well worth the wait. I found out yesterday that Passion Pit got discovered when lead singer Michael Angelakos produced "Chunk of Change" for his girlfriend on Valentine's Day. Talk about the best gift ever! For those of you unfamiliar, "Chuck of Change" has one of their big hits, Sleepyhead. The show was very energetic, although I prefer them at a smaller venue. All and all, a good evening of music. 

Thankfully "winter" is almost over and it's almost time for Fauxchella in San Francisco!

The Shows of September

Let me preface this by saying I'm really, really trying to cut back on the amount of shows I go to. It just didn't work this month. Oops. Well, technically this is less than August! Here's quick snapshot of some amazing bands that made their way through San Francisco last month. 

I went to Slim's in SOMA for the first time ever and it's now one of my favorite venues in this city. The tickets are cheap, the crowd is the right amount of raucous, the drinks are affordable and the space is the perfect size. I was lucky enough to see The Heavy here for my first experience. The Heavy is a British rock band with strong instrumentals and saucy vocals. Their music almost has a vintage sound, like classic R&B. Their stage energy reminds me of Fitz & the Tantrums. They get everybody dancing and singing a long. Next time the tour the US I would definitely recommend checking them out. Some of my favorites singles of theirs are How You Like Me Now? and Colleen.

Later that week I went to my main spot, the Fox Theater in Oakland, to check out The Tallest Man On Earth. One of the friends I went with introduced me to his music and I was definitely impressed by what I heard online. While I'll be honest that I didn't catch the whole set, I was even more impressed by him live. The Tallest Man On Earth is Kristian Matsson from Sweden and he's actually pretty short. However, he's so charismatic on stage that it makes up for any lack of height. He's pretty much a one-man-band with an occasion backup support guy. At one point he was playing so hard his guitar string snapped but he just tossed it over his shoulder and kept on going. His style could be classified as indie folk, but he also is reminiscent of American folk from the 1970s. His voice is often compared to that of Bob Dylan, though I think that's a bit of a stretch. These days I'd classify him in the same category as Mumford & Sons or Bon Iver. Great music for an evening of chilling at home.

After that, I was back at the Fox Theater the week after for Hot Chip, which was a lot less mellow and a lot more dance party. Hot Chip is a Euro-Indie-Electric-Synth band (I think I just invented this genre) from London. They've been around since 2000 and are a great addition to any upbeat party or dance off. The band is bigger than I realized (5-7 guys). Their lighting and stage setup was very apropos for their sound. My only wish is that they had talked and interacted with the audience a little more, as many of these people have been huge fans for 10+ years. Still a great show though, so I recommend catching them if they swing through town. My favorites and some of their biggest known singles include Ready For the Floor and Night & Day.

At the end of September I saw Dragonette at the Mezzanine in SOMA. The Mezzanine hosts a lot of electronic, synth and DJ shows. They have a great space for it, but make sure you go on a night when there's a good show. Otherwise it turns into a rather drug-filled rave with people who appear to have fake IDs. This show was a great dance party and in my opinion a lot more energetic than the Hot Chip show. Dragonette is a Canadian electronic band, with songs verging on an 80s/90s vibe. I love the lead singer, Martina Sorbara. She has great energy, slightly reminiscent of Robyn. While the mainstream may have heard of Dragonette from their part in Martin Solveig's "Hello," I think some of their best singles are Let It Go and Fixin To Thrill.

Delta Spirit Lights Up the Fillmore

The very best outcome of a show is when you see a band, either someone you somewhat like or don't really know much about, and they end up blowing your mind. This was my experience when seeing Delta Spirit at the Fillmore last Thursday night.

I've already raved about how much I adore The Fillmore. So far, my favorite venues in the Bay Area are the Fox Theater in Oakland, the Greek Theater in Berkeley and the Fillmore in SF. It's probably pretty awesome to be a smaller band that gets to play there, considering some of the legends that have been up on that stage over the years. We showed up to this show just in time to catch the second opener, Waters. Waters is a local Bay Area band, lead by ex-frontman from the popular Bay Area band Port O'Brien. The music was decent and they tried to keep the audience engaged, which can't be the easiest thing to do. I just wasn't drawn in by this local indie band. I almost felt that it was indie rock verging on 90s rock and the band's look didn't help that perception. The lead guy, Van Pierszalowski, worn a jean jacket with duct tape and looked like a cleaner, more showered version of Kurt Cobain. They almost reminded me of Dinosaur Jr in a way. Maybe they'd be better at a more intimate venue, but they just didn't resonate at the Fillmore.

Delta Spirit on the other hand blew me away. This band originates from San Diego and now resides in Long Beach. Their sound is a mix of indie rock, soul, street and just a twinge of alt country/folk. This tour was supporting their newest album release, "Rounder," which has the song "California" on it, which is one of my favorites of theirs. Delta Spirit dropped their first EP in 2006 and became an instant small band success, opening on tour for bands like Cold War Kids and Clap Your Hands Say Yeah. I found a hilarious fun fact on their Wikipedia page, which says they store all their equipment in green plastic totes when they travel for shows. Fans of the movie Delta Force (starring Chuck Norris) have been known to follow the group from show to show. I'll admit, I've always liked them but used them more as background music. They grew on me more with this last album and now after seeing them live, I am officially a fan. They had great stage presence and an almost psychedelic light show.

On an another note, while I'm thinking about SoCal indie bands, I've been hearing a lot of buzz about The White Buffalo. If you're into a blend of indie rock and country, you should check him out!

Fauxcella Fun

While I wasn't able to make it to either Coachella weekend this year, the perk of living in Northern California is that "Fauxchella," which happens in the weeks surrounding Coachella in Southern California. Bands either swing by the Bay Area on their way to or from the festival, or they fly up between weekend to perform. For the full Fauxcella lineup. Sadly, I missed Radiohead when they came up to San Jose but I was able to catch a bunch of other great acts.

Last Wednesday night I caught M.Ward at the Fillmore. The Fillmore is by far one of the best music venues in the city and has so much history. There's concert posters and photos covering all the walls of shows that have happened there since it was built. They keep with traditional, with a bucket of free apples near the entrance and an artistic concert poster on your way out if the show is sold-out. The M.Ward show was one of the more mellow shows I've been to in a while but his music is still danceable. I was surprised that he also played songs from his group projects, Monsters of Folk and She & Him. You can tell his musical skills no matter what he's playing or singing. And the show sold out so I got a beautiful M. Ward poster on the way out with butterflies flying out of a photograph. For more information on The Fillmore.

Last Thursday I went over to Oakland to see Miike Snow at the Fox Theater. The Fox Theater is my favorite venue in the full Bay Area and is definitely worth the trek to Oakland (it's only one block from the BART stop). The opener was Penguin Prison, a band my friends have turned me onto recently. Outside of their name being totally awesome, their songs are bouncy and fun. I didn't make it until halfway through their set but for the songs I did catch, they were energetic and crowd engaging. I heard from other show goers who hadn't heard of them before that they would be checking out their album. I've seen Miike Snow (it's an indie pop group from Sweden, not some guy named Miike) live before at the Varsity Theater in Minneapolis when their 2009 album "Miike Snow" came out. This show was to support their second album, "Happy To You." They always put effort into their stage performance. They usually start out in masks and cloaks for the first song or two. There's always crazy light installations and the stage is covered in fog. If you ever have the chance to see them live, definitely do it. They play a mix of slower and more danceable songs, working in a ton of different instruments. The crowd is always engaged and it's just one of those shows that always leaves you wanting a second encore after the first.

This Tuesday I went to see Justice back at the Fox Theater. I've been dying to see Justice live so I was psyched. I have friends who go all over the world to attend their shows, so I knew I was in store for something spectacular. Unfortunately I missed the opener, The Rapture, but I heard good reviews. Justice is an electronic duo out of France. Their know for their signature sound that varies from other electronic groups in that it often incorporates a strong rock beat or indie influence. Their latest album, "Audio, Video, Disco" came out last year. It's pretty good but I'm partial to the older songs off "A Cross the Universe." If you don't think you've ever heard Justice, chances are you've probably heard their most well-known single "D.A.N.C.E." played at some party or bar. Back to the show, as soon as they went on stage the energy level in the place blew up. Their lights were intense (but awesome), filling the mood. Both guys were standing on a stand higher up, so even shorties like me could see them. Their signature giant glowing cross hung in the middle. It was an epic show and I wouldn't have expected any less. If you want the ultimate dance party, you need to see Justice live.

Can't Say No to Free Music

The other week, a media company in town hosted a free show and I am a sucker for free music. The two performers were Bombay Bicycle Club and Geographer. I was going for Bombay Bicycle Club, while everyone I was with was more excited for Geographer. 

Bombay Bicycle Club is an indie-rock band from London, England. The band is comprised of four guys, with the occasional female sit-in for vocals. The quirky band name actually comes from an Indian restaurant chain in Great Britain. They have three albums now and I have to say that their most well-known singles, "Evening/Morning" and " Always Like This" are my favorites. Unfortunately, they weren't that amazing in person. There was lackluster energy, they were all kind of blazed and it was a mess. I think their youth really showed in their stageman-ship. I felt kind of embarrassed that I talked them up so much beforehand. 

After them, Geographer came on. I knew of this band but didn't really know much about them. They're actually based out of San Francisco and are popular enough that they sell large shows across the country, but especially in SF. This band is comprised of three guys and while they're probably technically just classified as an electronic/indie band, I like their self-description best, that their sound is "soulful music from outer space." These sounds are made from drums, synthesizers, guitars and electric cellos. Their songs have been used as backdrop to movie trailers and TV shows, so even people who haven't heard of this band may recognize their unique sound. They were super energetic and into their show. It was almost 80s like, the way they'd dance around with the synth keyboard. I am definitely a fan now and would recommend seeing these guys live.

Rocking It In SF

When I lived in Minnesota, there were never any good shows coming through in January because seriously, who would choose to roll through MN in the dead of winter? Luckily, San Francisco rainy season doesn't scare the music away. I was able to hit two shows in January, which were fun but very different from each other.

The first one we hit was deejay Steve Aoki (also known as Kid Millionaire). He does electro house music and founded his own label (Dim Mak) to release other electro house musicians. Outside of producing and deejaying, he's a club promoter, a restaurant investor and got a college degree in women's studies. He's actually a pretty interesting guy if you check out his Wiki page. I saw Aoki deejay two years ago back at the Fine Line in Minneapolis, which is a fairly small venue. There were maybe 200 people at this show. Now he's headlining (Datsik was the opener and was pretty good, so check him out at Coachella 2012) a show at the Bill Graham Auditorium by the Civic Center in front of thousands of raving fans. Now what I really want to discuss is those raving fans. The show was supposed to be 18+. We walked up the the building and it was clear it was going to be something entirely different. I don't think they were at all enforcing legit ID checks on 15 year-olds having fake IDs that say they're 18. Not only were they super younger, but they were decked out in raver outfits. And these were the cool raver outfits of the 90s, these were Gaga-esque. Apparently the new club ensemble of today's youth is a Victoria's Secret pushup bra and underwear set with fishnets and heels. I was over-dressed and totally okay with it. The actual show was pretty good. Aoki definitely has a stage presence, although I wish he spent more time DJing and less time running around stage, taking Twitpics and throwing cake onto the crowd.

The other show I went to was Fitz & the Tantrums. I hadn't heard of them until 2011's Hardly Strictly Bluegrass Festival but when I saw them there, I was blown away. They were easily my favorite of the weekend. The band's energy is so positive and magnetic. They get the entire audience dancing and waving their hands. The type of music is hard to explain, it's like a combination of American soul, indie, pop and blues. The band was founded in 2008 out of LA and while I'd heard their name around over the years, I'd never really heard them. Michael Fitzpatrick is the lead singer and keyboardist. He puts everything he's got into the performance, so I was super impressed. The one women, Noelle Scaggs, does vocals and percussion and adds that almost bluesy, jazzy soul feel to a lot of the songs. Their January show in San Francisco was at the Regency Ballroom on Van Ness, where I hadn't been before. The space is great and if you get there early, you can snag a seat on the upper level with a great view. Fitz & the Tantrums played two nights in a row and while I'm not sure if they were sold out, it was definitely packed. Check out this band live if you can!

The Kills in Oakland

Last Friday night The Kills were playing at the Fox Theater in Oakland, so we went to check them out. I'd never seen them live before but had heard of crazy (and most likely drunk) antics going down at shows in the past (ala Lollapalooze '98), so I was interested to see what we were in for. The Kills is a two person rock band, with American signer Alison Mosshart and British guitarist Jamie Hince. Hince just got married to supermodel Kate Moss. I'm not a huge fan of Moss, but I saw their wedding photos in the September issue of Vogue and it looked like it was an absolutely gorgeous event. Mosshart is also the front woman from Jack White's band The Dead Weather.

We got to Oakland a little early and went in search for a place to grab some dinner before the show. We ended up a punk diner next to the theater, Can't Fail Cafe. It was tasty, I definitely recommend going there is you're in the area. I had their special Meter Maid Margarita, which was a strong margarita muddled with cucumber and jalapeno. Sounds odd, but it was one of the best margs I've ever had. Chris got the breakfast burger and I got the Sante Fe, both of which were flavorful and fairly priced. After that, we headed to the show. The Fox Theater is definitely becoming one of my favorite places to see shows. They keep it up well and with all the levels, you can usually see the stage from wherever you end up, even if you're 5'5 like me.

We only caught the last song of the first opener, Mini Mansions, but I liked it and will definitely show up for them next time they're on tour. The second opener was Eleanor Friedberger, a folky yet funky singer with a great voice. Maybe it was just the hair, but she reminded me a lot of Zooey Deschanel. Then it was time for The Kills. Their stage was simple but awesome. The backdrop was solid leopard print that changed colors with the lights throughout the show. I had a slight girl crush on Mosshart before from photos I'd seen. She seemed like a bad ass with great fashion sense and her voice was awesome when I saw The Dead Weather from a distance at Coachella two years ago. I think my girl crush is going to continue because she's an amazing performer. She was dancing around stage the whole time and was magnetic to watch. Hince kept up the energy on his end and they seemed to have great musical chemistry. They played all my favorites from a variety of their albums. All in all, a great show.

Outisde Lands Recap

You can tell I'm crazy at work when I don't have time to review my weekend until Thursday! I went to Outside Lands, which is a 3 day music festival in Golden Gate Park in San Francisco. This year it was August 12th-14th. I've been to Lollapalooza multiple times and I went to Coachella last year. This is by far my favorite fest so far. San Francisco weather means no sweating to death in the mosh pits or suffering from dehydration. The park is gorgeous. Rolling Stone called this the "fest for foodies" which is totally accurate. There were so many delicious options at the rows of food tents. There's a forested part of the grounds that has the "Food Truck Forest" and "Chocoland." Chocoland has a mixture of faux sweets and skulls dangling from the trees, for a truly awesome effect.

Here's my rundown of the music. Day 1 I had to work in the morning so I missed my favorite new band, The Joy Formidable. Apparently they played a 10-minute version of "Whirrling." I made it half way through Phantogram's set and got to hear my favorite songs. I would definitely see them again. We stayed for Ellie Goulding, who I didn't know much about but heard rave reviews about her Lollapalooza performance. The reviews were right, this chick is awesome and did some sweet drumming. Then we waited for Big Boi's set, which was the biggest disappointment ever. He never went on and after an hour Dave Chappel went on to do a couple minutes of super awkward standup. Apparently he was there and was running late because his deejay went to the wrong stage (WTF). He tweeted "They only gave me 20 mins, this was outta my control, I Will " NOT " do a half ass show. Tried to go on after Badu. Not possible. Sorry." Seriously? People just stood around waiting for you! Do a couple songs and do them good. No one said anything about having to do it half-assed. Give your fans something. Ugh, no longer a fan of Big Boi. Finished off the day with a partial show by The Shins, which just felt a little lackluster.

Day 2 started out with a little Bob Schneider, who I haven't heard in forever. We took a little detour to have an awesome dance party in the Heineken Dome, which was so fun and bar far the best branding at the fest.We caught Arctic Monkeys at the main stage, who put on an energetic show that had the whole crowd singing. After that was The Black Keys, which is always a mellow show. They had a cool stage setup. I finished off the night choosing Muse over Girl Talk and I'm glad I made that decision. Muse was amazing and probably my favorite show of the whole fest.

Bu Day 3 I was a little tired. I slept in and missed tUnE-YarDs, who I heard killed it. Their music is a little weird but I hear people like them more after catching them live. The first show I caught was Major Lazer, which was my second favorite show after Muse. So much energy and a total dance party! You could just tell they were having a blast on stage. Caught the Decemberists from afar, which sounded pretty good. I pciked Deadmau5 over Arcade Fire. It was good, but he's just better to catch in a club instead of an outdoor show. The acoustics were a little off and soft. but all and all, an amazing 3 days of music. I will definitely be back next year!

TGIF.. time for some Friday tunes!

My song obsession of the week has been "Around My Head" by Cage the Elephant. I don't think there's an official video yet, so this is the best recording I could find: Around My Head

 They remind me of someone... maybe White Rabbits with less drums? I just can't put my finger on it... whatever it is, I love the beat and have been rocking to this song all week!

It's amount damn time.... new music from The Strokes!

I have loved The Strokes since high school but I'll be honestly, in the last couple years I've kind of forgotten about them. So imagine my surprise and delight when I heard they had just come out with a new full album! The last album they put out was "First Impressions of Earth," which was released in January 2006. After the tour and media to support that album, they released a statement saying they were taking a "much needed break." Then they promptly fell off the map (with the exception of the drummer, Fabrizi Moretti being engaged to Drew Barrymore, which ended in 2007). They started doing live shows again in 2010 and on March 1st, 2011, release their new album, "Angles." Their new album still has the stylized, beat-heavy familiar sound of The Strokes. There are some major differences though. Julian Casablancas use to do all their writing and arrangements but this album was much more collaborative. There's definitely a 80's synthpop sound to this album. Other styles clearly present on some of the tracks include reggae, rock, and pop. They also experimented with various production techniques. It's the kind evolution that shows this band will be able to stick around for a long time. The Strokes have already made a few statements that their already working on their fifth studio album!

The Girl Talk Get-Down

Last night I went to the first of two sold out Girl Talk shows at First Ave. Girl Talk is a one man DJ, Gregg Gillis, who takes popular songs from different musical genres and makes dance party mashups. I saw him two Novembers ago when he came to First Ave after releasing "Feed The Animals," and I knew I had to see him when he came back. In 2010 he released "All Day," which was free to download online. Can I just say I love when artists do this? It just shows that they're all about getting their music to the people and that's what matters. And is Girl Talk going to go broke for this? No way! That man is playing sold out shows across the country. His show last night was amazing. First off, he comes out in sweatpants and a zip-up hoodie, which is just awesome. First Ave was packed to the walls with dancing hipsters. Everyone had their hands in the air the entire show. He was playing new hits and old hits. They were throwing out glowsticks, balloons, confetti, and toilet paper like there was no tomorrow. The lights were awesome. Everything about the show was electric. My only complaint would be the people he lets dance up on stage. They're coming right up to the edge of the stage, so you can't see him deejay is you're standing to one of the sides. Otherwise, awesome, it was one of my favorite shows in the last year. I came out of First Ave drenched with sweat. That's when you know it's been a good night!

Does It Offend You, Yeah?'s new tunes

I am a huge fan of the electronic punk rock band from the UK, Does It Offend You, Yeah? I mean, can't you tell right away from the name that they are going to rock you? Anyway, they roll into Minneapolis about once every one to two years on tour and their shows are always amazing. Both times they've played at the 7th Street Entry and it's been all about the moshing, crowd-surfing, rafter-hanging, and just an all-around insane dance party. I would describe the show styles as an electronic thrash. Last time one of the guys from the band was crowd-surfing, hit his head on the speaker, and they still cam back for an encore. They really haven't had anything new since the "You Have No Idea What You're Getting Yourself Into" album in 2008. Well, their new music, "Don't Say We Didn't Warn You," is available for pre-order now. From what I've heard, it's great. There isn't a huge difference in sound from their old stuff, but that's what works. No one else has a sound like theirs, so why bother changing it up. I'm loving the funny lyrics of the track "The Monkeys Are Coming." All in all, totally worth the purchase and I will definitely be seeing them again next time they come to town!

I'll always love Radiohead

They've had some mind-blowing, revolutionary albums. They've had some album that just kind of missed the mark (yes, I'm talking to you Hail to the Thief). But every since the day I heard "Karma Police" off OK Computer back in 1997, I've been hooked ever since. They cemented a place in my heart permanently after Kid A in 2000. Their newest album, The King of Limbs  just came out this February and is Radiohead's eighth studio album. I love how they always self-release their music, you know it's not all about the benjamins for them. I like The King of Limbs more than their previosu release, In Rainbows, even though there are a lot of critics who would disagree with me. But then again, critics hated Kid A when it came out and then it made a bunch of top album of the decade lists. I really think it's hard to review Radiohead. Some people love it, some people hate it. Some people say they aren't making revolutionary music anymore. But are there any bands out there that can make the electronic music Radiohead makes as well as they do? If so, I haven't heard them yet. Anyway, for me, it's all about how Radiohead resonates with you. If their eerie beats permeate your soul, then you'll always be a fan.

NEW ATMOSPHERE!!

Anyone who knows me knows Atmosphere has been one of my favorite artists since I was 16. I see them in concert at least twice a year. I think Slug's one of the best lyricists in the hip hop world. He's very honest and real in all of his songs, has something for just about every mood, and touts the Minnesota pride. Ant drops amazing beats and shows off his versatility in every album. Their new album, "The Family Sign," is their 7th official studio album, although they've done a ton of shorter LPs, leak-able tracks, and a lots of other tunes in an "unofficial" capacity. "The Family Sign" will be released April 12th, 2011 but you can preview it online and The Current has been playing some of it. From what I've heard so far, this is a very mature album for Slug and Ant, who aren't always the most mature of men (for which we love them for). Many of the lyrics on the new album seem to deal with themes of overcoming loss of love, family, and friends. It's about the love that's loyal and stays with you. Through this whole evolution, I feel like I'm growing up right along side them. 

Atmosphere will be doing a promotional "Family" tour to promote the new album with Blueprint (who's also releasing new tunes), Grieves, Sab The Artist, and DJ Abilities.

FINALLY! New music from The Streets

If there's one thing I love more than local Rhymesayers hip hop, it's foreign hip hop. Hip hop from abroad is just so much more relate-able to me. One of my favorite groups is The Streets, from the U.K. They haven't released any new music since their last album, "Everything Is Borrowed,' which was released in 2008. Before that, they released albums in 2002, 2004, and 2006. Well, they just released their fifth album, but rumors are this may be their last. A lot of people don't like the new album, "Computers and Blues," but I think it captures what Mike Skinner does best, catchy hooks and humorous lyrics that aren't deep until you really start to think about them. I think he's able to create hip hop for any mood. When i was in college, the carefree lyrics of "Original Pirate Material" was what I was looking for. When I went through a breakup, "Everything Is Borrowed" went perfect with my mood. His evolution has been interesting. It would have been nice to see what came next. To stream The Street "Computers and Blues," for free: http://www.guardian.co.uk/music/musicblog/2011/feb/03/streets-computers-blues-album-stream I've only had a chance to listen all the way through once, but I really like the "OMG" track. Very relevant to the times!

The best radio station ever

Recently I found out how to read the stats of my blog and found out I have a lot of readers outside if the state of Minnesota. So, I feel that it is my duty to spread the love of good music. For those unfamiliar with Minnesota Public Radio, they have a music station called 89.3 FM The Current. They play everyone, from The Beatles to the Eels, from Blitzen Trapper to Miike Snow. It's musical offerings are eclectic and has something for everyone. There is also a great focus on local music. It's available for listening on iTunes under Radio, then Alternative Rock, or you can stream it at: http://minnesota.publicradio.org/radio/services/the_current/playlist/playlist.php