All that glitters is good.....

All that glitters is good.....
Showing posts with label Dragonette. Show all posts
Showing posts with label Dragonette. Show all posts

Wednesday, June 5, 2013

Musical May

I was worried after April, and all of its Fauxchella fun, was over. What will I do on the weekends? How will I keep disintegrating my ear drums bit by bit? What if I get too much sleep on weeknights? Never fear, May was chalk full with great acts coming through town.

The month kicked off with Bottle Rock 5/8-5/12. I'll admit, I'm getting told old for a four day music festival so I went with the 3 day pass. This was the very first year of Bottle Rock, which takes place in Napa. A music festival in wine country? Yes please! Word on the street is that they got a 10 year contract, so this festival will be around for many more years to come. There was a little shadiness, as the fest got approval from the Expo board without consulting the city. The verdict is still out on if Bottle Rock hurt or helped Napa, but overall it sounds like the 35-40,000 attendees made most business happy. The lineup was pretty solid. I'd have to say my favorites were The Flaming Lips. Wayne puts on a crazy show with plenty of lights and lasers. Edward Sharpe & the Magnetic Zeros were pretty good too. I unfortunately missed Allen Stone, a soul and R&B musician from Washington, who's on the cusp of blowing up. I'll probably go next year, although I hope it's less hot next time. The lineup will hopefully be just as solid and the food/wine selection was one of the best I've seen in a while. Hopefully they'll finesse all the first year issues (namely the disastrous parking situation and the dust). Tip: Book your place to stay up there as soon as dates are announced, all hotels/airbnbs will fill up fast!


Next up I caught Dragonette and The Presets at the Fox Theater in Oakland. When you look out into the crowd and it's just women, gay men, glow sticks and sparkles, you know it's going to be damn good party. I've seen Dragonette live before and love them. Martina Sorbara, the lead singer, knows how to get the dance party started. She's energetic and gives her all no matter the size or enthusiasm of the crowd. I liked them better than The Presets, although they were good too. It's just with The Presets (a two man Australian electro duo with vocals, drums and keyboards), they're stuck behind their instruments which can limit the stage energy unless you're someone like Justice.



After that, we hit Tame Impala, which was also at the Fox but had a completely different feel. Walking into the Tame Impala show was like walking into the 70s, completely with psychedelic lights and weed. When bands play slow jams these days, everyone usually holds up their cell phone lights. At this how everyone actually held up legit lighters! I forgot how beautiful that looks. Tame Impala is a rock band that reminds me almost of the Australian version of someone like Dinosaur Jr, which more funk thrown in. Elephant is probably their most well know song but my favorite is Feels Like We Only Go Backwards.


Last weekend I went to Mumford & Sons at the Greek Theater, a gorgeous outdoor amphitheater in the hills of the UC Berkeley campus (seriously, we parked at a frat house). I love Mumford and these days it's hard to find people who don't, they've gotten so big. They played three nights straight at the Greek, which sold out in minutes. For those of you living in a cave, this four man English folk band formed in 2007 hit the scene big in 2009 with their release of "Sign No More," which won them the Grammy for "Best New Artist." In 2012, they release their second album "Babel," which in my opinion is just as good as their earlier stuff. Seeing them live is great because they really put their all into it and interact with the crowd. They were able to get the entire Greek Theater (8,500 seats + the lawn) to be completely silent while they played a couple acoustic songs, which was amazing to behold. While you never really know if artists are telling the truth, they said this was the most silent they've ever gotten a large crowd to be and a memory they would treasure. Regardless, it was a pretty great show.


Last Saturday (and technically in June), we went back to the Greek (should have just slept there, is this an option??) for the xx. Again, another English band, who started as an indie duo and added on 2 more once they started touring. Their sound is hard to explain. It's a little electro, a little instrumental, with almost eerie whispering vocals. They hit it big with Crystalised in 2009. They release "Coexist" in 2012. The lead duo is a introverted, so it's a totally different experience and while I love them, I could take them or leave them live. They did have a pretty decent light show with some cool lasers (you can't go wrong with lasers). When at the Greek though I hate being up in the seats because you can't stand up and dance.


Wednesday, October 3, 2012

The Shows of September

Let me preface this by saying I'm really, really trying to cut back on the amount of shows I go to. It just didn't work this month. Oops. Well, technically this is less than August! Here's quick snapshot of some amazing bands that made their way through San Francisco last month. 

I went to Slim's in SOMA for the first time ever and it's now one of my favorite venues in this city. The tickets are cheap, the crowd is the right amount of raucous, the drinks are affordable and the space is the perfect size. I was lucky enough to see The Heavy here for my first experience. The Heavy is a British rock band with strong instrumentals and saucy vocals. Their music almost has a vintage sound, like classic R&B. Their stage energy reminds me of Fitz & the Tantrums. They get everybody dancing and singing a long. Next time the tour the US I would definitely recommend checking them out. Some of my favorites singles of theirs are How You Like Me Now? and Colleen.


Later that week I went to my main spot, the Fox Theater in Oakland, to check out The Tallest Man On Earth. One of the friends I went with introduced me to his music and I was definitely impressed by what I heard online. While I'll be honest that I didn't catch the whole set, I was even more impressed by him live. The Tallest Man On Earth is Kristian Matsson from Sweden and he's actually pretty short. However, he's so charismatic on stage that it makes up for any lack of height. He's pretty much a one-man-band with an occasion backup support guy. At one point he was playing so hard his guitar string snapped but he just tossed it over his shoulder and kept on going. His style could be classified as indie folk, but he also is reminiscent of American folk from the 1970s. His voice is often compared to that of Bob Dylan, though I think that's a bit of a stretch. These days I'd classify him in the same category as Mumford & Sons or Bon Iver. Great music for an evening of chilling at home.


After that, I was back at the Fox Theater the week after for Hot Chip, which was a lot less mellow and a lot more dance party. Hot Chip is a Euro-Indie-Electric-Synth band (I think I just invented this genre) from London. They've been around since 2000 and are a great addition to any upbeat party or dance off. The band is bigger than I realized (5-7 guys). Their lighting and stage setup was very apropos for their sound. My only wish is that they had talked and interacted with the audience a little more, as many of these people have been huge fans for 10+ years. Still a great show though, so I recommend catching them if they swing through town. My favorites and some of their biggest known singles include Ready For the Floor and Night & Day.


At the end of September I saw Dragonette at the Mezzanine in SOMA. The Mezzanine hosts a lot of electronic, synth and DJ shows. They have a great space for it, but make sure you go on a night when there's a good show. Otherwise it turns into a rather drug-filled rave with people who appear to have fake IDs. This show was a great dance party and in my opinion a lot more energetic than the Hot Chip show. Dragonette is a Canadian electronic band, with songs verging on an 80s/90s vibe. I love the lead singer, Martina Sorbara. She has great energy, slightly reminiscent of Robyn. While the mainstream may have heard of Dragonette from their part in Martin Solveig's "Hello," I think some of their best singles are Let It Go and Fixin To Thrill.